ISSUE 012026KYIV / WROCŁAW

Portfolio Mariia Kyreieva

Digital & Brand Marketing Specialist

Mariia Kyreieva in Paris
MARKETS UA / EU / US SECTORS Beauty · Fashion · B2B · Education CASES Four, with the numbers
every number below
is one I moved ↓
Monthly intake, Fenomen
+0% Inbound YoY, Translators Family
0+ Creators managed, fashion
0 Markets, one voice, Lamel
ALWAYS-ON the hook did all the heavy lifting
01

Fenomen Positum

Digital & social media marketing  /  Nov 2025 → present

From four launches a year to a continuous funnel

Online certification programmes in Positive Psychotherapy. Strategy, copy, design, video, paid — one calendar, always on.

Problem

The school was still acquiring students the way it had when the category was barely contested: paid ads, run on assumptions that were five years out of date. Social was handled by whoever had time that week — the sales manager, sometimes the CEO — and the output was competent and completely faceless, indistinguishable from every other postgraduate psychology course. Enrolment arrived in four spikes a year, capped at around 40 students per cohort.

My solution

I replaced category-generic messaging with specific claims. "Postgraduate courses for psychologists" became "a 12-month certification for people who don't know how to get back into the profession" — a hook written for a named person with a named problem rather than for a market segment.

I then built the content around proof competitors couldn't copy: the certification itself, free intervision sessions, and a lead trainer who studied under Nossrat Peseschkian, the founder of the method. Visually I moved the brand off flat promo-for-promo posts towards humour and bold design, and shifted the calendar from campaign bursts to always-on content feeding a standing waitlist.

RESULTS

  1. Monthly intake, ~13 → ~37 students
  2. 00Cohort size, +87%
  3. 2 moLaunch cadence, down from quarterly
  4. 0Months to get here
Fenomen Positum Instagram carousel — orange and cream slides on why the 12-month course is structured the way it is.
Instagram carousel — swipe sideways. Design, copy and layout by me.
Second Fenomen Positum carousel — short intensives versus systematic 12-month training.
Second carousel from the always-on calendar.
Reel, filmed and edited in-house
B2B INBOUND reporting that ends in a decision
02

Translators Family

Sole owner of marketing  /  Jan 2025 → present

Rebuilding inbound for a twenty-year-old agency

Translation and localisation for B2B clients across the UK and EU. The engine that used to run on word of mouth needed a real chassis.

Problem

Twenty years in business had built an inbound engine that used to be enough on its own: clients found the agency through word of mouth or a Google search, and that was that. The market changed underneath it. Everything was organised but dated — Google Ads was effectively the only active channel, social and LinkedIn were dormant, email barely existed, and the website carried so much legacy content that it indexed poorly against far younger competitors.

My solution

Rebuilt the site structure and service pages around search intent, including the worldwide sworn and certified translation offering. Defined buyer personas and designed a funnel running from first-touch content through to enquiry — connecting site, email and Google Ads instead of leaving them as three unrelated channels. Activated LinkedIn, including personal branding for the leadership team.

Introduced a monthly performance review structured as What / So What / Now What, so reporting ends in a recommendation rather than a dashboard.

RESULTS

  1. +0%Inbound enquiries year on year
  2. 0%Email open rate, above B2B benchmarks
  3. 0%Click-through on the email programme
  4. NDAClient volumes and revenue under NDA
Translators Family LinkedIn grid — nine brightly coloured content cards.
LinkedIn grid — nine content types, one tone
LinkedIn article: Diplomatic interpreting, everything you need to know.
LinkedIn article on what belongs in a strong speaker brief.
REPOSITIONING same fabric — different frame
03

Fashion brandNDA

Instagram + influencer programme  /  Feb 2024 → Jan 2025

Repositioning a brand the platforms kept blocking

DTC label selling into Ukraine, the EU and the USA. Two ceilings at once — moderation and mass-market perception. Moved through both.

Problem

The label was caught between two ceilings at once. Its aesthetic read as fetishwear rather than fashion, which kept recognition low outside a narrow subculture — and kept triggering platform moderation, with Instagram accounts repeatedly restricted or blocked. One problem limited the addressable market; the other meant the main sales channel could disappear overnight.

My solution

I was part of the team that moved the brand's positioning from fetishwear towards fashion — keeping the material language that made it distinctive, latex and other statement fabrics, but presenting it as design rather than provocation.

On my side that meant rebuilding the content system around the new positioning: editorial planning, copywriting, art direction with the designer, and photoshoot curation on a repeatable cycle, serving three regions from a single account. I ran the influencer programme end to end — sourcing, negotiation, briefing and performance review across 100+ creators, tracked with UTMs so spend was judged on traffic rather than impressions.

RESULTS

  1. Engagement per post — likes ~300 → 1,000+, saves ~100 → ~300
  2. ~0×Instagram-attributed traffic
  3. 0+Creators across three regions, all UTM-tracked
Campaign image, blurred for NDA.
ConfidentialThe work is proprietary. The results aren't.
FIVE MARKETS one voice, five accents
04

Lamel Cosmetics

Social across five markets  /  Dec 2022 → Jan 2024

One brand voice. Five markets.

International colour cosmetics in the USA, UK, France, Ukraine and Kazakhstan. Five audiences that wanted five different things.

Problem

One brand, five markets, no local teams — and five audiences that visibly wanted different things. A single translated feed would have been cheap and wrong. Five independent brands would have dissolved the brand entirely. The job was to hold one recognisable voice while letting the content itself change market by market.

My solution

I localised the substance, not the captions.

  • Ukraine — a patriotic register and constant promotional pressure, matching how the category actually sells through local retail
  • USA — bold looks and real diversity in casting: different skin tones, men wearing makeup
  • Kazakhstan — the opposite of loud. Nude looks, a more traditional aesthetic, and heavy emphasis on high-coverage foundation, which is what that market buys

Across all five I ran Instagram, TikTok and Threads, built the influencer and UGC pipeline feeding both organic and paid, and managed community on a 100K+ account — the brand's highest-volume customer touchpoint.

RESULTS

  1. 0+Influencers in production per month at launch
  2. Alyona AlyonaCollaborations with major talent
  3. 0K0KFlagship Ukrainian account followers
  4. 5×3Markets × platforms, one voice
Lamel campaign — 16 shades of burgundy eyeshadow palette.
Campaign carousel
Lamel HOPE campaign for the Ukrainian market.
Ukraine — patriotic register
Lamel product grid — brow soap and lash primer.
Product-led grid
↓ the part that isn’t on the CV

About me

Mariia Kyreieva holding her corgi

I'm the person who wants to know how everything works — learning is the part of any job I like most. I keep moving outside of it: yoga, running, the gym, dancing. And I read a lot, which is what keeps my thinking sharp and my ideas from going stale.

I take the projects I work on personally, and I'd rather build things with people than around them. Being handed something I don't yet know how to do is the part I look forward to.